Governments matching of cultural crowdfunding: an exploratory comparative analysis of the Spanish and Swedish case.

Authors

DOI:

https://doi.org/10.28939/iam.debats-137-1.7

Keywords:

crowdfunding, matched funding, regional cultural policy, platform economy

Abstract

Over the last decade, crowdfunding has emerged as an important alternative and supplementary mechanism for funding, legitimising and developing creative projects. In many European countries, a number of regional governments have started to support this practice incorporating platforms as technological providers. Different types of governmental interventions exist, amongst them the provision of matched funding, or matching grants, effectively supplementing the crowdfunding campaign’s private contributions with public funding. However, few academic studies on CCI crowdfunding or cultural policy investigate these emerging forms of public-private partnerships and collaborations. Using a qualitative methodology, the article proposes a conceptual model for the different types of governmental support and collaborations with cultural crowdfunding platforms, alongside two case studies of public-private partnerships to support CCI crowdfunding at regional level in Spain and Sweden. The absence of support and intervention mechanisms may indicate that regional and local governments have thus far largely viewed crowdfunding as a marginal financing mechanism used by cultural projects unable to access other sources of funding.

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Author Biographies

Anders Rykkja, Inland University of Applied Sciences

Anders Rykkja és investigador doctorant en la Facultat de Ciències Empresarials i Socials de la Universitat de Ciències Aplicades de l’Interior de Noruega, on fa la tesi doctoral sobre l’ús del micromecenatge com a model de negoci i mecanisme de valoració en el sector cultural i creatiu als països nòrdics i a Espanya. Forma part del projecte CROWDCUL del Consell d’Investigació de Noruega sobre l’adopció i l’ús del micromecenatge entre artistes.

Lluís Bonet, Universitat de Barcelona

Lluís Bonet es catedrático de Economía Aplicada en la Universidad de Barcelona, especializado en economía cultural, políticas culturales y gestión de las artes. Es el director del programa de Posgrado en Gestión Cultural (con un doctorado y tres maestrías y habiendo completado cuatro programas de aprendizaje continuo en el campo).

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Published

2023-05-30

How to Cite

Rykkja, A. and Bonet, L. (2023) “Governments matching of cultural crowdfunding: an exploratory comparative analysis of the Spanish and Swedish case. ”, Debats. Journal on culture, power and society, 137(1). doi: 10.28939/iam.debats-137-1.7.

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