Uses and Abuses of Creativity. Sociology of creative processes, transitions to digital and creative policies
Abstract
Creativity is a notion awakening growing interest in the social
sciences. This attention mirrors the debate on the potential economic
and social development of creativity as a skill, profession or industry.
However, there is also rising critical interpretation of the abuse of
this concept, exploited to legitimize the hasty digitization of the
cultural field, and of the instrumentalization of culture in pursuit of
economic interests. This article is grounded on the contributions of
numerous sociologists (Bourdieu, Collins and Menger) in an attempt
to reconsider the conditions under which creativity develops, and
examine how the framework of digitalization and instrumentalization
is shifting (not always positively) the structure of this field, and
the interaction frameworks that favour the development of this
creation of culture.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Without prejudice to the provisions of article 52 of Spanish Law 22/1987 of November 11 on Intellectual Property, BOE (official state bulletin) of November 17, 1987, and pursuant to said legislation, the author(s) surrender(s) free of charge its rights of edition, publication, distribution and sale of the article, for its publication in Debats. Journal on Culture, Power and Society.
Debats. Journal on Culture, Power and Society is published under the Creative Commons license system in accordance with the «Recognition - Non-Commercial (by-nc) modality: The generation of derivative works is permitted provided that commercial use is not made. Nor can the original work be used for commercial purposes».
Thus, when the author submits his/her contribution, he/she explicitly accepts this assignment of publishing and publishing rights. Authors also authorize Debats. Journal on Culture, Power and Society to include their work in an issue of the journal to be distributed and sold.
