Adjudicació de fons de contrapartida al micromecenatge cultural per part dels governs: una anàlisi comparativa exploratòria dels casos espanyol i suec
DOI:
https://doi.org/10.28939/iam.debats-137-1.7Paraules clau:
crowdfunding, match-funding, cultural policy, platform economyResum
En l’última dècada, el micromecenatge o finançament popular ha sorgit com un important mecanisme alternatiu i complementari per a finançar, legitimar i desenvolupar projectes creatius. En molts països europeus, hi ha hagut diversos governs regionals que han començat a donar suport a aquesta pràctica i han incorporat plataformes com a proveïdors tecnològics. Hi ha diferents tipus d’intervencions governamentals, entre aquestes la provisió de fons de contrapartida, o subvencions proporcionals, que estableixen, efectivament, les contribucions privades de la campanya de micromecenatge amb fons públics. No obstant això, pocs estudis acadèmics sobre el finançament participatiu o la política cultural de les Indústries Creatives i Culturals (ICC) han investigat aquestes formes emergents d’associacions i col·laboracions publicoprivades. Utilitzant una metodologia qualitativa, aquest article proposa un model conceptual per als diferents tipus de suport governamental i col·laboracions amb plataformes de micromecenatge cultural, a més de dos estudis de cas d’associacions publicoprivades per a donar suport al finançament popular d’ICC d’àmbit regional a Espanya i Suècia. L’absència de mecanismes de suport i intervenció pot indicar que els governs regionals i locals fins ara han vist en gran manera el finançament popular com un mecanisme de finançament marginal utilitzat per projectes culturals que no poden accedir a altres fonts de finançament.
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