Mobility, Ephemerality and Tourist Economies: Graffiti Running Tours in León Guanajuato

Authors

DOI:

https://doi.org/10.28939/iam.debats-137-1.3

Keywords:

tourism, urban art, Mexico, urban imaginaries, mobility, ephemerality

Abstract

In this paper, I examine the creation of a running tour showcasing commissioned Graffiti Art, or Urban Art, in León Guanajuato, Mexico. Set up in 2017, the tours are part of a larger economic and cultural shift away from the city's agricultural and industrial past. While seeking global city status since the 1990s, León is also trying to keep its traditional roots. Urban Art, as a form of creative expression, helps foster an appealing urban image. This paper argues that the tours highlight three critical issues that lie at the heart of the Creative City discourse and the institutionalization of graffiti, namely: Mobility; Ephemerality; The Economy.

Downloads

Download data is not yet available.

Author Biography

Caitlin Bruce, University of Pittsburgh

La Dra. Bruce es profesora agregada de Comunicación en la Universidad de Pittsburgh. Concluyó su doctorado en la Universidad Northwestern en 2014 y es autora del libro Painting Publics: Transnational Legal Graffiti Scenes as Spaces For Encounter (“Arte urbano: escenas transnacionales en grafitis legales como espacios de encuentro”; Temple University Press), de 2019. Sus artículos han aparecido en Geohumanities, Text & Performance Quarterly, Critical/ Cultural Communication Studies, Communication Culture and Critique, Women’s Studies in Communication y el Quarterly
Journal of Speech, entre otras publicaciones. Es coordinadora principal del programa de arte urbano Hemispheric Conversations: Urban Art Project (Conversaciones Hemisféricas: Proyecto de Arte Urbano).

References

Austin, J. (2002). Taking the train. New York: Columbia University Press.

Bloch, S. (2020). Going all city. Chicago: University of Chicago Press.

Bruce, C.F. (2016): “Tour 13: From Precarity to Ephemerality,” GeoHumanities, DOI:

1080/2373566X.2016.1234352

Camarena, D. (2001). “Recopicación gráfica de graffiti en León,” unpublished undergraduate

thesis, Universidad Iberoamericana León.

Campbell, B. (2003). Mexican murals in times of crisis. Tucson: University of Arizona Press.

Cockcroft, E., Weber, J. and Cockcroft, J. (1977). Toward a People's Art. New York: Dutton.

Coffey, M. K. (2012). How a revolutionary art became official culture. Durham: Duke

University Press.

Ferrell, J. (1993). Crimes of Style: Urban Graffiti and the Politics of Criminality. Garland.

Galvis, J. P. (2017). Planning for urban life: Equality, order, and exclusion in Bogotá's lively

public spaces. Journal of Latin American Geography, 16(3), 83-105.

García Canclini, N. (2001) Consumers and Citizens: Globalization and Multicultural Conflicts,

trans. George Yúdice. Minneapolis: University of Minnesota Press.

Gómez Vargas, H. (2020). Personal communication with author.

Hernández Sánchez, P.(2008), La Historia de Graffiti en Mexico 2.0. Mexico: IMJUV

Hernández, L. (2018). Personal Interview, December 13.

Jasso, R. (2013). “León Pinta Su Pared,” Revista Cultura Alternativa, Publication of the Instituto

Cultural de León, no 33, p.9.

Keim. (2016). Personal Interview.

Latorre, G. (2019). Democracy on the Wall: Street Art of the Post-dictatorship Era in Chile. The

Columbus: Ohio State University Press.

Macdowell L. (2019). Instafame: Graffiti and Street Art in the Instagram Era, United Kingdom,

New York: Intellect Books.

McAuliffe, C. (2012). Graffiti or street art? Negotiating the moral geographies of the creative

city. Journal of urban affairs, 34(2), 189-206.

McRobbie, A. (2018). Be creative: Making a living in the new culture industries. London: John

Wiley & Sons.

Merriman, P., Jones, R., Cresswell, T., Divall, C., Mom, G., Sheller, M., & Urry, J. (2013).

Mobility: Geographies, histories, sociologies. Transfers, 3(1), 147-165.

Mould, O. (2018). Against creativity. New York: Verso Books.

Nickis, Interview, May 11, 2015, León Guanajuato.

Orion, Personal Interview, May 13, 2015, León Guanajuato.

Ortiz van Meerbeke, G., & Sletto, B. (2019). ‘Graffiti takes its own space’ Negotiated consent

and the positionings of street artists and graffiti writers in Bogotá, Colombia. City, 23(3), 366-387.

Pabón-Colón, J. N. (2018). Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. New

York: NYU Press.

Rangel, P. Personal Interview, September 17, 2019, Mexico City, Mexico.

Rodríguez, C. (2017). “Plasman artistas su ingenio en panteón,” El Sol de Leon, October 31,

<https://www.elsoldeleon.com.mx/local/pintan-a-la-muerte>. Access date: March 2019.

Salazar, N. B. (2018). Theorizing mobility through concepts and figures. Tempo Social, 30(2),

-168.

Spok, Personal Interview, May 11, 2015, León Guanajuato..

Swanson, K. (2013). Zero tolerance in Latin America: Punitive paradox in urban policy

mobilities. Urban Geography, 34(7), 972-988.

Téllez Valencia, C. (2014). La construcción de la tecnocracia en León y su proyecto inacabado

de participación social. Relaciones. Estudios de historia y sociedad, 35(138), 209-243.

Wilson, D. (2017). Making Creative Cities in the Global West: The New Polarization and

Ghettoization in Cleveland, USA, and Glasgow, UK. In Inequalities in Creative

Cities (pp. 107-127). New York: Palgrave Macmillan.

Young, A. (2010). Negotiated consent or zero tolerance? Responding to graffiti and street art in

Melbourne. City, 14(1-2), 99-114.

Wes, Personal interview, May 13, 2015, León Guanajuato.

Published

2023-05-30

How to Cite

Bruce, C. (2023) “Mobility, Ephemerality and Tourist Economies: Graffiti Running Tours in León Guanajuato”, Debats. Journal on culture, power and society, 137(1), pp. 51–66. doi: 10.28939/iam.debats-137-1.3.

Issue

Section

SPECIAL ISSUE