Depression definitions in controversy: Comparing layperson/expert narratives
DOI:
https://doi.org/10.28939/iam.debats-135-1.2Keywords:
CTS, cartografía contreversias, etnografía digital, definción depresiónAbstract
Definitions are narratives in action which imply a closing movement onto the ontology of what is defined. In this case, we explore the definitions in mutual tension and/or symbiosis, with consonant and dissonant spaces, about what is depression. The term itself is approached as a controversy subject of cartography with a comparison between laypeople and expert narratives making use of digital ethnography as methodology. A self-administered open questionnaire online is completed with the definitions of 29 laypeople participants. On the other hand, expert narratives are gathered with the definitions of 9 health institutions webpages, mediation spaces towards the public. Definitions echo from both spaces as splits between biological and psychological-social, with a reiteration of the division between exogeneity and endogeneity. An emotionality characterized by the summation of reductionisms, cumulative factors in an equation of what depression is. The solutions offered, depression as transformation in action, place the mental health device as an obligatory passage point to cure the ill bodies. However, the laypeople narratives offer mutual care practices based upon a more democratizing communication. Finally, we conclude considering other possible ontologies of depression which consider the socio-material assemblies, ontologies following the pragmatical turn defining the depression in action.
Downloads
Published
Issue
Section
License
Without prejudice to the provisions of article 52 of Spanish Law 22/1987 of November 11 on Intellectual Property, BOE (official state bulletin) of November 17, 1987, and pursuant to said legislation, the author(s) surrender(s) free of charge its rights of edition, publication, distribution and sale of the article, for its publication in Debats. Journal on Culture, Power and Society.
Debats. Journal on Culture, Power and Society is published under the Creative Commons license system in accordance with the «Recognition - Non-Commercial (by-nc) modality: The generation of derivative works is permitted provided that commercial use is not made. Nor can the original work be used for commercial purposes».
Thus, when the author submits his/her contribution, he/she explicitly accepts this assignment of publishing and publishing rights. Authors also authorize Debats. Journal on Culture, Power and Society to include their work in an issue of the journal to be distributed and sold.





